![]() This rectilinear wide-angle lens has a minimum focus distance of around 11”, similar to that of the popular Nikon 12-24mm and the Canon 16-35mm rectilinear wide-angle lenses. Sony’s 16-35mm f4 is the best option for wide angle underwater photography with the Sony A7. However, if you’re starting fresh, the native Sony FE 90mm F2.8 is the clear winner.īest Wide-Angle Lens for the Sony A7 Underwater Photographyīest Choice: Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens You can manually focus your 100mm macro, though, so if you already have the Canon EF 100mm macro lens and don’t want to drop $1100 on a new lens, it’s a suitable option. The adaptor allows for autofocusing, metering, and aperture control however, it tends to autofocus very slowly, making it a less practical solution for moving subjects. If you’re buying the A7 to replace or complement your Canon SLR, you can use your Canon mount lenses with the addition of a Metabones adaptor. However, that’s selling the lens short, as it’s a fantastic option for underwater photographers using the Sony A7.Īlternative Option: Canon EF 100mm f/2.8L Macro USM IS Lens with Metabones Adaptor The Sony FE 90mm macro lens is also currently the only native full-frame E-mount macro lens, and therefore, by process of elimination, it’s the winner. Despite being a macro lens, reviewers found it to autofocus quickly. It is a pricey lens at $1100, but it has the fourth overall DxO score among all lenses, as well as the top overall sharpness score.īy almost all accounts, the lens performs exceptionally, with little to no chromatic aberration, light falloff (vignetting), or distortion. It just so happens that the 90mm macro lens is one of the best macro lenses on the market – period. The best macro lens for the Sony A7 series is the Sony FE 90mm F2.8 Macro G OSS lens. That said, there are two lenses in particular that satisfy the needs of the two extremes, wide angle and macro, most commonly used in underwater photography.īest Underwater Photography Macro Lens for the Sony A7 Series:įirst Choice: Sony FE 90mm F2.8 Macro G OSS The market for native full-frame E-mount FE lenses is relatively immature and does not offer the range available for micro four-thirds mirrorless cameras or Canon and Nikon SLRs. What all three versions have in common is that they take Sony FE-E mount lenses and accept a Metabones adaptor for Canon full-frame lenses. The A7 is a compromise between the two, and it is also the least expensive option however, it still ranks in the top 10 in DxO’s overall rankings. The S stands for sensitivity, and the A7s is DxO’s best overall low-light camera. The 36MP A7R currently sits just behind the D810 and D800 for third in overall score by DxO, a website that measures camera and lens quality. The upcoming A7rII packs a whopping 42MP. The R in the A7R series stands for resolution, and Sony wasn’t kidding around. Each variant serves a different purpose for photographers who have different preferences depending on their shooting type. Sony’s A7 full-frame mirrorless camera lineup, which includes three variations – the A7, A7R, and A7s – has taken the camera world by storm.
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